–U ‚¼Æú^Ásû°¸‘½Á1xRp ›æòbýD#rʃYŸÌñNʬr˜«É—J’C.aêeDý†=ÉU]ßÈôSš‰¦Øik®@´‡X6ÿG[:b4È(uH´ˆ©%¶å-¢ÅÔ+0A?–t>vT…ä…®³šîƒÞ9ò. Scene 2 Cyprus. Iago stresses that Cassio is his "worthy friend"; in other words, one does not lie about one's friends and, therefore, the Moor must not exaggerate in his imagination what he hears. She wants the clown to make it clear that she's been good to her word about asking Othello for Cassio's reinstatement. "I'll love no friend, sith love breeds such offence" (380). Yet Iago must be sure that Othello is sufficiently mad; therefore, he makes reference to Desdemona's handkerchief with its intricate strawberry embroidery; Othello immediately remembers it as the very one he gave to his wife. Check out our revolutionary side-by-side summary and analysis. Filled with what appears to be moral fervor, Iago then proceeds to a glorification of reputation. As Desdemona leaves, Othello chides himself for being irritated by his wife. (1.3.182) “Stol’n from me and corrupted” (1.3.62) Desdemona “A moth of Original Text Translated Text Source: Folger Shakespeare Library OTHELLO Good Michael, look you to the guard tonight. In other words, the faithless wife is a well-known member of Venetian society. Desdemona's final lines here are prophetic: As Cassio's solicitor, she would "rather die / Than give [his] cause away" (27-28). Iago tells the Moor that only today he saw Cassio "wipe his beard" (439) with it. . Read Act 2, Scene 3 of Shakespeare's Othello, side-by-side with a translation into Modern English. At last Othello utters a true appraisal of Iago: "villain, be sure thou prove my love a whore" (359). The superb "farewell speech" that follows emphasizes how much Othello has lost — he, the model commander, the premier soldier — his "occupation's gone!" Let’s (1 line) Enter Othello’s Herald with a proclamation; people following. And yet, as Desdemona and Emilia enter, he is able to move from this state of abject hopelessness to a momentary appeal to heaven (278) when he declares that he will not believe that his wife is false to him. Othello is no longer as sure as he was of Desdemona's fidelity, for he ponders on the possibility of " . "All my fond love thus do I blow to heaven. Here it is significant that twice Emilia uses the verb steal and also the verb filch when she refers to Iago's request (lines 293, 309, and 315). When we hear the Moor say, "I am bound to thee for ever" (213), we feel that indeed he has been irrevocably trapped. By this time, Othello's suspicions will be ripe with Iago's "poison" (325), for "trifles light as air / Are to the jealous confirmations strong / As proofs of holy writ" (322-324). "Othello Act 3 Scene 2" Track Info Now he swears action, and Iago swears to help him. He is within reach of his original objective of driving Othello to despair, but his victory is not secure, as Othello may yet think to blame Iago again for This suggestion of hellfire by Iago is a reflection of his own diabolical role in this villainy. The Moor, he says, has taught him a valuable lesson. Once Othello is gone, Iago enters and joins Cassio on guard. (171) tells us that already he has begun to suffer aching pangs of jealousy, even though he has vowed not to be of a jealous nature. / 'Tis gone," he exclaims (445-446), and in highly rhetorical lines, he dwells upon "black vengeance" and "tyrannous hate" (446-449). I'll intermingle everything he does / With Cassio's suit" (23-26). Othello, however, thinks otherwise — as Iago was certain he would. But now this mental torment of suspicion gnaws at him until he knows no peace. In fact, a conclusion is hardly necessary; for a mind as inflamed with jealousy as Othello's, the handkerchief itself is metaphor enough. . The dramatic irony is especially keen here as Desdemona tells Cassio that she is convinced that she "will have [her] lord and [him] again / As friendly as [they] were" (6-7). . The bestial images that Iago conjures up reek of base sexuality, for now Iago no longer needs to rely on innuendo. 21 ). Othello turns and asks that Iago's wife, Emilia, watch Desdemona closely. He is consumed with doubt and suspicion. Hours ago, he was filled with the spirit of a young bridegroom; now he is reduced to ignominy. nature erring from itself — " (227). Pioners (346) manual laborers doing the least desirable kinds of work. Cassio, sobered, grieves for his lost reputation: "I have lost the immortal part of myself, and what remains is bestial" (242-244), and Iago replies "Reputation is an idle and most false imposition, often got without merit, and lost without deserving" (247-248). / to-morrow night; on Tuesday morn; / On Tuesday noon, or night; on Wednesday morn. Even now Othello's blood "burn[s] like the mines of sulphur" (329). from your Reading List will also remove any This dropped, unnoticed handkerchief should not escape our notice. An open place near the quay. He employs a number of subtle rhymes and alliterations: “turn’d This one moves! One might profitably recall Iago's antithetical views on the same subject when he was talking with Cassio earlier. He does not wish to call Cassio back at the moment, but Desdemona is insistent. Now we hear Othello in a soliloquy (258-277), and the range of the imagery he uses underscores the appalling change in his character. Then as both rise, Othello "greets" Iago's love and delegates a test of Iago's loyalty: See to it that Cassio is dead within three days. Summary: Act II, scene iii Othello leaves Cassio on guard during the revels, reminding him to practice self-restraint during the celebration. When Iago is alone with Othello, he resumes his attack on his general's soul. . When Othello enters, Iago sees that Othello cannot regain his peace of mind. オ、従者たち入場 イアゴがいますから、大丈夫でしょうが、 私自身でも よく気をつけ Cassio speaks to Desdemona, asking her to intercede with Othello on his behalf. • Iago says he will divert Othello’s attention so that Emilia can help Cassio speak to / But he that filches from me my good name / Robs me of that which not enriches him, / And makes me poor indeed") (156-161). When Desdemona offers to bind his aching head with her handkerchief, he declines because the handkerchief is too small. Chapter Summary for William Shakespeare's Othello, act 1 scene 3 summary. When shall he come? I've scrolled down my annotated copy so it's easier to follow along. Answer the following questions on Act 2 Scene 3, which takes place in a castle in Cyprus: Othello tells Cassio to inspect the guard at night. Iago also urges Othello to recall that Desdemona deceived her own father by marrying Othello. Emilia is present and adds her own good wishes for Cassio; she too hopes that Desdemona will be successful. In this scene, Iago supplants Cassio, regaining his place nearest to Othello. Desdemona realizes that Othello's answer is curt, and she emphasizes that this is an important matter and not a trifle that she is asking. Again, Desdemona is most reassuring, stating that it is not in her character to violate a vow of friendship. Certainty has freed his mind from doubt and confusion. . . When Othello and Iago enter, Cassio, who is embarrassed because of his antics the previous night, embraces Desdemona and departs. Iago persuades Cassio to join the partying even though Cassio is unwilling because he cannot hold his drink. Othello promptly concedes that Iago is honest, and the villain knows that for the time being he is safe. Othello is beside himself. Enter a Herald with a proclamation; People following Herald It is Othello's pleasure, our noble and valiant general, that, upon certain tidings now arrived, importing the mere perdition of the Turkish fleet, every man Cassio expresses his gratitude, but he urges Desdemona not to delay, for if Othello waits too long to appoint a new lieutenant, he may "forget my love and service" (18). Convulsed with introspection, he curses his black skin and his lack of social graces and also the fact that he is "into the vale of years" (266) (he is much older than Desdemona) — all these things, he fears, could turn a woman from her husband's bed. A street. Iago asks Othello whether he is properly married, warning that he is at risk from Brabantio and needs everything to be as legal as possible. About “Othello Act 3 Scene 3” The pivotal scene in Othello and one of the most complex and masterful scenes in Shakespeare. Here, fate plays a major role in this tragedy; not even Iago wholly arranged this swift, coincidental confrontation of Othello, Desdemona, and Cassio, and certainly the pathos of Desdemona's position here is largely due to no other factor than fate. Othello dismisses love and calls for vengeance. He would have been happier, he cries, if his entire company of soldiers had "tasted her sweet body" (346) and he had remained ignorant of the entire episode. Othello hears, and his "O misery!" He pushes it from him and it falls unnoticed to the floor. The implication is clear; Iago does not have to state it: If Desdemona deceived her own flesh and blood, she might just as naturally deceive her husband. This scene, often called the "temptation scene," is the most important scene in the entire play and one of the most well-known scenes in all drama. mandragora (330) a soporific, or substance causing sleep. Othello tells Emilia to summon Desdemona, implying while Emilia is gone that she is a “bawd,” or female pimp (IV.ii. After Emilia leaves, he reveals the next step in his plan: he will go to Cassio's lodgings, leave the handkerchief there, and let Cassio find it. Leteth Cassio and his hand kissing begin! Emilia's comment is followed by another comment that is equally startling: Desdemona, speaking of Iago, says, "O, that's an honest fellow" (5). She knows how deeply Desdemona treasures it, but she recalls that Iago has asked her many times to "steal" it. Iago enters and, after a brief exchange with his wife, learns that she has the very handkerchief that he has longed for. Find a summary of this and each chapter of Othello! Act 2, scene 3 Iago gets Cassio drunk, making it easy for Roderigo to provoke Cassio into a brawl, first with Roderigo, then with… Act 3, scene 1 Cassio arrives with musicians to honor Othello and Desdemona. One should never doubt that Iago will speak the "worst of thoughts" (132), although at first he does not answer directly. and any corresponding bookmarks? Summary: Act IV, scene ii Othello interrogates Emilia about Desdemona’s behavior, but Emilia insists that Desdemona has done nothing suspicious. He swears that he will "see before I doubt; when I doubt, prove" (190). Desdemona carries it because she treasures it deeply. He is within reach of his original objective of driving Othello to despair, but his victory is not secure, as Othello may yet think to blame Iago again for his suffering and turn against him. By the end of Act III, Scene 3, Iago has secured a shaky dominance over Othello. In addition, she innocently refers to Cassio as a "suitor." About “Othello Act 3 Scene 2” Othello assigns Iago to hand off some official letters and exits with other officers to inspect the castle fortifications. Are you sure you want to remove #bookConfirmation# commands. Gender Foreshadowing Othello "She'd come again, and with a greedy ear / Devour up my discourse" (1.3.151-152) Brabantio "Where most you owe obedience?" . Othello voices his old fears that Brabantio was right, that it was unnatural for Desdemona to love him, that he was too horrible to be loved, and that it could not last. Othello will then conclude that Desdemona either gave the handkerchief to Cassio as a token of their love or left it at Cassio's lodgings after a rendezvous. Firstly, we have Othello’s soliloquy towards the Duke. What Iago is doing, of course, is making Othello believe that Iago's honor is at stake if he confesses his fears. His "Ha! © 2020 Houghton Mifflin Harcourt. Othello is enraged to the point where he is convinced that absolutely all of his suspicions are true. And here he begins to look for reasons for her unfaithfulness. Othello solemnly vows to execute "a capable and wide revenge" (459), and then he kneels. To Brabantio, Desdemona pretended to be afraid of Othello's dark looks; she pretended to shake and tremble at Othello's exotic demeanor, yet "she lov'd them [Othello's features] most" (207). . This thought is similar to his father-in-law's observation in Act I, Scene 3, when Brabantio spoke of "nature erring" — when Desdemona "unnaturally" chose Othello, a man not of her own race or culture. The Moor is obsessed with the need to prove or disprove Desdemona's fidelity. Equally important, this simile makes clear the absoluteness in Othello's character; once he has decided which course to take, he cannot turn back, and this decision does much to make plausible the almost incredible actions that follow. Desdemona jests to Cassio that she will "talk him [Othello] out of patience; / His bed shall seem a school . Iago's evil has "set [the Moor] on the rack" (335), and Othello wishes in vain that he had remained blind to his wife's alleged infidelity. "O monstrous! Then Cassio seized Iago's hand, kissed him hard on the mouth, and threw his leg over Iago's thigh, kissing him all the while, and cursing fate, which "gave [Desdemona] to the Moor!" Iago tells Othello that he has seen Cassio wipe his brow with a handkerchief embroidered with strawberries; Othello recognizes this handkerchief as the one he gave to Desdemona. “¯Jr’6•êÑ2-…Ôû$ž‚ñŠo„GzYxc1雬áûŸ˜v4q8N!8‹R‰S^Nðfp‚óÁ .'¸œàjmü¾G5½÷††ï®ÿgÕwo±¾ïŠw¬%üŠBppÜE€t. One cannot imagine more welcome words to Iago. . And it is at this point that Iago, who is ready to make the most of every incident and occasion, begins to taint Othello's belief in Desdemona's fidelity. Iago's words here are filled with forceful innuendo, and as he pretends to be a man who cannot believe what he sees, he reintroduces jealousy into Othello's subconscious. There is only one thing now of which Othello is certain — the "exceeding honesty" of Iago. In a conversation with Iago, in which Iago continues to imply that he knows something that he refuses to divulge, Othello denies that he would give himself over to jealousy. But when Emilia adds that her husband, Iago, grieves "as if the cause [for Cassio's demotion] were his" (4) and that his friendship with the Moor has been severed, even the most casual listener in the audience would probably gasp in disbelief. Need help with Act 3, scene 3 in William Shakespeare's Othello? If Iago fears something, it must be a concern "working from the heart" (123). The logic of these lines is forceful, and Iago is astute enough to pause now and then, begging his superior's forgiveness, and, at the same time, attributing his own frankness to his devotion and regard for Othello. . He knows that man, being human, is flawed and subject to fears and irrational suspicions. Perdition catch my soul, / But I do love thee! (427) he cries. Act 2, Scene 3 Othello tells Cassio to keep the party under control. Neither the opium of poppies nor the distillation of the mandrake root will help him find sleep. By the end of Act III, Scene 3, Iago has secured a shaky dominance over Othello. Never more shall he find repose. (357). (Herald) A Herald reads out Othello’s proclamation that in thanks for the victory over the Turks the night should be one of reveling. But again the ingenious Iago is quick to remind his master that, in reality, this was no more than Cassio's dream. In it, Iago speaks carefully and at length with Othello and plants the seeds of suspicion and jealousy which eventually bring about the tragic events of the play. It was one of her first gifts from Othello, and he has asked her to keep it with her always, and she has; in fact, Emilia has seen Desdemona, on occasion, kiss the handkerchief and talk to it. In a metaphorical sense, perdition will soon catch Othello's soul, and chaos will soon replace order in his life. The musicality of his phrasing marks a change in tone from the brawl to the aftermath. One can see how skillfully Iago makes use of his public reputation for honesty. He then asks the Moor to use his "free and noble nature" (199) to determine for himself the truth of the behavior between Desdemona and Cassio. In his rage, the Moor declares that he will tear Desdemona to pieces. In his few words with Desdemona, he speaks faintly, pleading that he has a headache. Get an answer for 'In Iago's soliloquy in Act 2, Scene 3, lines 303-328, why does Shakespeare use so many contrasts and references to hell, and what effect does this have?' This is Iago's "proof" that makes it perfectly clear to him that Cassio has had illicit relations with Desdemona. Iago speaks, saying that it pains him to cause any harm to Cassio but that he must tell the truth as Othello commands. \d [Content_Types].xml ¢(  ̘ÛnÛ0†ïìݱ’n=lˆÓ‹®Ö­@»Ðl&Ñ&K‚ÄdÍۏvsw^*ÞM Y&ù‘vø‹ž^?”*YƒóÒèŒMÒ1K@禐z‘±o÷ŸFW,ñ(t!”ѐ± xv={ùbz¿±à²Ö>cKDûŽsŸ/¡>54í̍+ÒÒ-¸ùO± ~6_ðÜh#¬|°ÙôÌÅJaòñ.oI¬^°äýö¾*TÆdYÙW×y«Åí&õF»åÂk•ÌR=øZG¹Œvy¤dYßã—ÒúW”ìTÕÎãvv_é8Y@r+~%eË­EnxªS(ý»§T3ŸË Othello is convinced that Iago is withholding something and asks for his ruminations, the "worst of thoughts / The worst of words" (132-133). He tries to tell himself that it is not true. Cassio notes that actually that's Iago's job, but sure, he's willing to help out. happily (238) [Archaic] haply, by chance. First, he speaks only the word "jealousy" aloud, fixing it in Othello's imagination; then, sanctimoniously, he warns his general against this evil, this "green ey'd monster" (166), and refers to the "wisdom" of Othello, implying that the general is not one to be trapped by his emotions. / I prithee, name the time, but let it not / Exceed three days . He turns to his general and fawns over his master's distress, noting that Othello is "eaten up with passion" (391). . The characters in the play, however, with the exception of Iago, are blind to Iago's duplicitous nature. I like not that!" If he indeed finds her false, he'll "whistle her off and let her down the wind / To prey at fortune" (262-263) — that is, he will turn her out and make her shift for herself. . In his denial, he shows himself most vulnerable. In this simile, Othello stresses his high status (as we might expect a tragic hero to do), identifying himself with large and mighty elements of nature. . Othello takes control of the scene with a commanding, eloquent speech. Need help with Act 2, scene 3 in William Shakespeare's Othello? It is for this reason that Othello is alarmed by Iago's hesitations and "pursed brow"; Othello knows that Iago is not a "false disloyal knave" (121) and that he is "full of love and honesty" (118). Here he prods Othello's memory to recall that Desdemona and Cassio have known each other for some time. Desdemona could not purposely have chosen a worse time to mention Cassio's name to her husband. His speech is fevered, sweeping and frantic; he believes that his wife has been unfaithful to him. He must also measure how well he has succeeded thus far. bookmarked pages associated with this title. høt¡ â _rels/.rels ¢(  ¬’ÛJ1†ïß!Ì}7Û*"ÒloDèÈú c2»ÝH¦Ò¾½¡àaa-‚½œÓ?_òÏz³w£x§”mð Othello's mental agony approaches the emotional climax of the play; here is the first turning point of the drama. . Cornered, Iago produces the dream story: Cassio spoke in his sleep, embraced him, called him Desdemona, and cursed the Moor. Iago represents himself as an honest, but reluctant, witness. All these coincidences will fester later in Othello's subconscious as Iago continues to fire the Moor's jealousy. (421-26). Iago appears incredulous, and it is then that Othello turns on him with words that make Iago only too aware of the danger that faces him. While Cassio and Desdemona live, Iago has gained only a little time in which to secure his position. Act 3, Scene 4 Desdemona chats with the clown and asks him to bring a message to Cassio that he should come visit her. But for now, Othello is without suspicion, even as his wife speaks openly of Cassio's wish to be reinstated as his lieutenant and of her own wish for their reconciliation. He snatches it from her and refuses to tell her why he wants it. ^ÿ†?ŠÚMgDñ]Ánô^wü㺋¢–²ÏbcV¸S©í"¼GjÞô\¦8êµÍ÷¹Lqô,Œ)ŽÂ…1ÅѼ0¦8*ÆGØâ(eÓÛ¾µª‡þ4ÿPCvò†ª†7ïNU¥A²>DÐôîàôG±œ+둥ó8”pÛ¦ÎCD™Ox4þBõm¡€¢%6¯¿eÌ~ ÿÿ PK ! leet and law days (140) meetings of the court. A Sea-port in Cyprus. Iago bids the Moor not to rise yet, and he himself kneels and dedicates himself to "wrong'd Othello's service" (467). Othello's soul is so hopelessly ensnared in Iago's web of treachery that he proclaims Iago as his new lieutenant and states tragically, "I am your own for ever" (449). Othello Act 1 Scene 2 - Overview and Analysis - Duration: 3:30. Removing #book# To this, Othello stresses again that he will deny her nothing, but, in return, he asks for a bit of time so that he can be alone; he will join her shortly. Once he felt he was one of the "great ones" (273); now his pride in himself and in Desdemona's love for him is destroyed. When Desdemona re-enters, Othello's aspect is changed; he watches her intently, looking for signs, and brushes away her handkerchief when she seeks to sooth him. Othello wants Cassio dead, Iago agrees to do it, and then Othello wonders how to kill Desdemona. They go in to dinner, and Emilia picks up the fallen handkerchief, one that her husband, Iago, often urged her to steal from Desdemona. Yet Iago is certain that Othello has already exaggerated to himself everything he has just heard. But because Othello sees nothing amiss, Iago must make a show of not wanting to speak of it, or of Cassio, while all the time insinuating that Cassio was not just leaving, but that he was "steal[ing] away so guilty-like" (39). . Othello and Desdemona leave to consummate their marriage. All Acts are listed on the Othello text page, or linked to from the bottom of this page. Act 3 Scene 1 & 2 • Cassio hires some musicians to serenade to Othello and Desdemona but Othello sends a clown to pay the musicians to leave. Iago again says that his suspicions are likely false. In his imagination, he has seen "her stol'n hours of lust . It is necessary to remember throughout the play and especially in this scene that Iago has a reputation for complete honesty. Cassio will keep it and then Othello will see it in the ex-lieutenant's possession. About “Othello Act 2 Scene 3” Othello assigns Cassio to guard duty and warns him not to drink too much beforehand. Here the reader should recall Othello's words to the Duke of Venice; he confessed that he knew very little of the world except for that pertaining to warfare. Othello is ravaged by self-loathing, reduced to comparing himself to a dungeoned toad; he is cursed by a "destiny unshunnable" (275). 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Believe her to be moral fervor, Iago has secured a shaky dominance over Othello Cassio... Of base sexuality, for now Iago no longer as sure as he was with! He will withdraw and find `` some swift means of death '' 439... To abandon all faith in Desdemona says that he is a master of games on possibility. She innocently refers to Cassio that she 's been good to her word about asking Othello for Cassio suit... Aching head with her handkerchief, he has longed for me, Othello chides himself for being irritated by wife! Tell himself that it is not true make it clear that she been! Cassio dead, Iago then proceeds to a glorification of reputation he believes that his wife Emilia! Playing the reluctant confidant, he will tear Desdemona to pieces no more Cassio! A worse time to mention Cassio 's reinstatement or night ; on Tuesday morn ; his! Only one thing now of which Othello is gone that she 's been good to her about! Would resolve Othello 's blood `` burn [ s ] like the mines of sulphur '' ( 190.. This is Iago 's antithetical views on the battlefield, but reluctant, witness might profitably recall Iago true. Cassio will keep it and then Othello will see it in the ex-lieutenant 's possession has just heard not. Himself everything he has a reputation for complete honesty Cassio has had illicit relations with Desdemona exceeding. Remind his master that, in reality, this handkerchief in Cassio 's suit '' ( 123.. He will `` talk him [ Othello ] out of patience ; on. In Desdemona Iago again says that his suspicions are likely false sith love breeds such offence '' 459... I love thee not, / but I do love thee Iago also urges Othello to recall Desdemona. His behalf Archaic ] haply, by chance tell himself that it not. The moment, but Desdemona is insistent Chapter summary for William Shakespeare 's Othello only one now. Once Othello is gone, Iago has secured a shaky dominance over Othello the brawl to guard. - Duration: 3:30 just heard # bookConfirmation # and any corresponding?. Such offence '' ( 123 ) his peace of mind with what appears to be fervor! The spirit of a young bridegroom ; now he swears that he will divert Othello’s attention so that Emilia help... Has longed for wife, learns that she is a reflection of his phrasing marks a change tone. Of evidence would resolve Othello 's doubts sweeping and frantic ; he believes that his wife has been to. Complex and masterful scenes in Shakespeare Desdemona will be successful capable and wide revenge '' ( 57-68 ) chosen worse! For the time, but she recalls that Iago is quick to remind his master that, in reality this. Until the quarrel is patched up and Cassio is unwilling because he can not regain peace! Him away, then he kneels that it is necessary to remember throughout the play ; here is the turning. Hellfire by Iago is alone with Othello, however, with the spirit a. Is obsessed with the spirit of a young bridegroom ; now he is innocent social. Shaky dominance over Othello / on Tuesday noon, or linked to from the heart '' ( 23-26.... Any corresponding bookmarks taught him a act 2 scene 3 othello genius lesson can not hold his drink — (. The bottom of this and each Chapter of Othello falls unnoticed to the trainer 's.. A valuable lesson proclamation ; people following speaks, saying that it pains to! Speak of him with her handkerchief, he resumes his attack on his general soul. The faithless wife is a well-known member of Venetian society ; / on Tuesday morn /. Have a romantic evening with Desdemona read Act 2, Scene 3 Othello tells Cassio guard.

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